Beetroot, Dancing, & Hitler

One of the things in this crazy old life is that you never can tell when you’re going to come face to face with a Nazi hoard. I was round a mate’s house for supper and she was baking beetroots from scratch for a puy lentil salad. Yes that’s right. I do health now. But I put cheese on almost all of it.
We’d been having a Michael Jackson dance off with her son on the kitchen tiles and I’d come the closest I’ve ever come to doing the moonwalk. Which was about as close as the moon actually is to my feet. So still quite far but not as far as, say, Mars. Or Uranus. Never has there been a more felicitous way to kill time before the beetroot’s done. Four women attempting the moonwalk arm-in-arm while a seven year old watches shaking his head. (He can do the moonwalk easily, see. Maybe it’s just something some people are born with. Like a full head of hair, or six toes.)
It was a long-awaited girly catch-up night and we’d been dashing from topic to topic like dragonflies, skimming lightly across the tops before moving on to the next thing. Work, love, food, romance, garden furniture, T K Maxx. 
There was a natural lull.
“Ooh! Do you want a glimpse into my dark past?” My friend and host suddenly offered out of nowhere.

“Er. YES!” We shrilled back as she dashed out of the room.
She returned moments later with an old biscuit tin. She laid it on the table, and opened it up. It was packed to bursting with old cigarette cards of movie stars from the 1930s. Gold embossed things little bigger than the face of a matchbox. The colours were turned up to technicolour, vibrant emerald greens and corals and peacock blues, eyes blackened, vermilion lips, coquettish little smiles and beaming gleams of white teeth. Some character types in big quirky costumes, with knowing looks as if that was what had made them famous enough to be on a cigarette card and they were damn well going to keep wearing it. Most of them were strange names we’d never heard of. Mostly Germans, though some were your usual suspects. Gable. Dietrich. Garbo. You know the types. And, oh, was that…Hitler? Yes. That looked a bit like Hitler.
Then she pulled out the piece de resistance. An album of photos once owned by her German grandmother. From 1933. “Aw!”, we all cooed. Then she went to the page she had been meaning to show us. And there was a Nazi rally. Hundreds of German soldiers lined up in a great expanse of concrete doing the famous salute under billowing flags. Under the photo was written in a cute old-fashioned hand – ‘Heil Hitler’.
We all went a bit quiet. I think the sight of a swastika will always cause a chill in the blood for years to come til this small phase of history is as obscure as Ghengis Khan or the Egyptians – if humans make it that far – but you’re usually used to seeing it in books and documentaries, not in an old biscuit tin on your mate’s kitchen table. I pointed out that the album was from 1933 and that Hitler had not perpetrated any of the world-changing havoc and cruelty at that point and had been seemingly the one who would save Germany. He had been…a hero. He had been Hope.
We went back to the cigarette cards and soon began chatting about something else. 
Would I keep souvenirs of a terrible part of history, or would I throw them out in disgust, as though there is a dark complicity in the keeping of things. But sometimes it’s the tangible items from the past that make us think. Sometimes a biscuit tin in the attic wields more power than a lesson.
And it just goes to prove that you can never tell where an evening will go. Conversation moves on. The world moves on.

  

Post Festival Blues

So I’ve got post festival blues like you wouldn’t believe. I’m sloping around at home, leaving a trail of woe like a hormonal slug. The dog is staring at me balefully from the sofa, wondering what happened to his mummy, and I have no answers for him, just an intermittent stream of sighs into his soft ears. If you collected all the sighs that have ever been exhaled chestily in every period costume drama that’s ever been made and played them all in a row, you would pretty much be in my lounge with me right now. My dog would probably give you a ‘get me out of here’ look. I’d let you take him. I’m not cruel. 

I suppose it’s just your usual comedown stuff. No biggie. But it feels bigger when you’re in it, doesn’t it? Like you’re stuck in an opaque orb of emotion that you will never emerge from. Will you ever see the same world again? Is it all changed forever? It’s the same kind of potent comedown you can get from an amazing holiday or strange head-flipping experience, like an evening of talk with people who light your brain up like fireworks. The dancing rushes of adrenalin, oxytocin, and serotonin, all the madcap science that makes it worth being alive. I’ve just had a whole month of that. The ‘break’ away, the fun, the booze, the people, the brain-lighting, the chemicals of being human. I’m not ready to let it go, to subside, to settle. I’m mourning it.

 

Don’t get me wrong – I do feel suitably pathetic and am laughing at myself at the same time. I am not so self-indulgent as to be gracing this mess with the romantic glow of actual tragedy. Life is not one long festival, I do know that. I’m not a moron. But also – I am a moron. Half an hour ago I tried to tell myself that a month in Edinburgh had managed to wrest from me the same emotional response as leaving my high school after seven years. One month does not equal seven years. It doesn’t. And yet, today, it does.

 

I miss my friends.

 

They were the important part. I lay on squishy sofas in bars with some of my dearest friends, some of whom I hardly ever get to see, and there we all were together. And there I was, watching them all meeting and getting on like a house on fire, with so much love in my heart I don’t know how I didn’t shatter the optics with telekinetic energy.

 

We were all fun and vulnerable together. We were Funerable. That’s it. We were all there, being vulnerable together, talking, being honest and real and broken and silly, laughing like drains, and crying and hugging, and now we are apart, and we will never convene in quite the same way again. We will all change and have new stories to tell and won’t be in the same bars at the same time in the same combination with the same feelings in our hearts. That was that time, our time.

 

Everything is ultimately about the people, isn’t it? It’s not really the place, or the play, or the bits that go into the writing of the play, or the reception of the play, or even the feeling of success that can come from doing a play well, it’s the people. Your ego is there, but it’s not there for you. People are. That’s what it’s about, and that’s why it hurts when things come to an end.

 

And I’m no good at ends. At goodbyes. If I have a recurring theme in anything I ever write, it is probably that. Well, that, dads, suicide, and being a general twit in life. You’re all probably terribly bored of me. I’ll write about something new next week, I promise. But in the meantime I’m a twit huffing about in my pyjamas and I miss my friends. Give us a cuddle.

  
 
 

 

Living Unabridged

I think it’s safe to say I needed to cry. It’s the only explanation for the fact I sat there in the front row, face streaming by the time the first song had finished. It must have already been there, waiting to spring out at the slightest provocation. There was a time when I was permanently primed to sob at anything; Eastenders, a nice dinner lady dropping a ladle and looking dead embarrassed, dead bees. The embarrassing list is embarrassingly endless. But I cry less quickly now. Age, I think. Perhaps my hormones govern me differently, perhaps I’m just a bit more used to the world being a difficult beast to wrangle with, but though I cry less often, when I cry I really like to get it all out. And it all comes out of those tiny little orifices we call tear ducts. How strange that those tiny channels through which our pain rages, small as pin-pricks, can stretch wide as a river-mouth to purge our souls.

It’s unfortunate, though, when it happens at a friend’s gig, in the front row, with no tissue and only a sleeve to dispose of the mess. My friend Ross was doing a big gorgeous gig in an old church under his musical guise Blue Rose Code, up here in his native Edinburgh, or Edina as he calls it. He’s a superlatively lush singer-songwriter who’s got Ewan McGregor and Ian Rankin banging on about how they can’t stop listening to him, which is pretty cool.

I don’t suppose it helped that I had had a glass of white wine beforehand. It is the demon juice. I don’t know why I do it. It is tantamount to standing naked on a cliff, screaming at the gods to smite me. But in a glass. (Self-destruction tastes sweet sometimes, doesn’t it.)
I also don’t suppose it helped that I was teetering at the emotional end of the spectrum anyway. The Edinburgh Festival is a glorious privilege, but you fucking pay for it by being dragged to the city limits of your vulnerability, draped in the torn flag of neurosis, swigging 100% proof doubt from a hipflask. But it also didn’t help that Ross, that beautiful tyke, writes songs deliberately designed to make a mess of you.

So let’s blame him. As he played, singing songs about love – old love, new love, Edinburgh, London, running away, coming home, breaking things, being broken, mending, loving again, all accompanied by wondrous musicians – those tiny little pin-pricks in the corners of my eyes dawned open and it all came tumbling out. Everything. And I did it in silence, but for two loud humiliating honking sniffs. The moment Ross finished playing I legged it to the loos to sort my face out. I straightened myself up like a Picasso on the wonk. Then I went out to tell him he was wonderful and I hated him.

As I sat talking to the musicians who had played that night, I realised why I had been rendered such a mess. The songs had coaxed out old things. I think it was the first time I had cried for my marriage. That silly too-brief thing that should never have happened in the first place. I had walked away from it and barely looked back and I had certainly never mourned it or missed him. Isn’t that dreadful. I found instead that rather rude alternative; happiness. But of course those songs should have born a spike up here in Edinburgh. I had performed up here for years with my ex, and then once we broke up Edinburgh became a new place altogether, of my own work, my own fun, my own self. It occurred to me I had never looked back and been outwardly thankful or sad for the nice things we had had together briefly at the start, because I was so focused on looking forward and finding myself after having felt like I’d been in a pocket for years. Ross’s music, so exquisitely bare and open about love, made me see I rarely talk about love. I think I’m still figuring bits out. Perhaps I will write a big book about it in a couple of decades time when I’ve let my hair grow out grey and I walk in total candour. But Ross provoked a response in me that I was not expecting. I’m not sure if I was given a time machine whether I would erase my marriage altogether because you can’t ever really want to be rid of the things that teach you about yourself and life, but I do think I would erase certain things. Even though we are better apart, even though it feels like another life, a forgotten page in a book I’ve not read for years, it turns out that some part of me – perhaps the quietly toiling archivist in my heart – needed to honour the time we were together – just for an hour, with tears, before forgetting again. Because that was my life then, and by wiping things from our minds we shorten our lives. It takes courage to live unabridged.

Add some Blue Rose Code to your life: http://bluerosecode.com
image

Pramkicker: It Started In A Café…

Back in the distant yorey days of 2014 my friend Sarah and I were in a café. I was ploughing on with a triple shot Americano even though I’m a bit allergic, & Sarah was staring at me wondering why I didn’t just order tea. While we smalltalked a stream of mothers filled the cafe with their exuberant offspring and their high-tech perambulators. We smiled & nodded hullo. I crossed my eyes and did fish-face at a toddler who stood staring at me with a swollen nappy bum. As the hubbub in the cafe grew louder Sarah and I spoke a little louder to try & continue our Very Important Power Business Meeting (or VIPBM if you like anagrams that sound like virus software), which no doubt involved our dreams and aspirations for the next ten years, our relentless charity work for worthwhile causes, or what to have for lunch that very day.

Then Sarah got elbowed in the head by a mother who didn’t even turn round let alone apologise. Then I picked up a toy that was hurled at my feet – a little fleecy lamb, tired at the eyes from too much washing – to be met with a glare as though I was the leader of an international paedophile ring out and about scouting for talent. My cheeks flushed. Because I am not the leader of an international paedophile ring, people. I can just about manage my own menstrual cycle (it tends to work best when left to its own devices; you can’t lasso the moon) let alone operate on a highly criminal, covert, and morally reprehensible basis. We eventually felt so uncomfortable, so invisible and surplus to requirements that we left to find another cafe somewhere else, maybe in a neighbourhood known for more knife crime and fewer mother and baby groups, even though we knew more coffee would probably make my cheeks go pink and my throat go all constricty like I was being strangled in a cartoon where the tongue bursts out of the mouth like a party blower. JUST ORDER TEA, HASLER, YOU NITWIT.

In the street we began a conversation about motherhood and kids, dodging prams as we went. Sarah has often said she feels belittled by people who think she’s selfish for choosing to remain child free. She maintains that it’s selfish to have children if you aren’t sure you want them. I reissued my regular mantra that I haven’t a ruddy clue about anything; whether I want kids or not; that I sometimes have a pang, but not much. Not enough of one. Yet. I have received no bugle call and thus am at leisure to continue my wafty existence.

But. But I am 35, and aware that inside my tiniest parts – deep inside the intricate folds of my reproductive system, a work of genius I can take no credit for – is a clock, at some point at my prime wound tight and ready to burst its cogs, that will – at a time never to be properly administrated by myself, the me up here in my cerebral offices – start slowing down, slowing down, slowing down, until eventually it stops. Tick tock, tiiiiick toooock, til the rest is silence. My baby-making days over.

It’s not often that an ordinary morning spurs you to go home and write about it, but that day, in that cafe, a chord was struck that echoed. Very shortly afterwards I began writing my new play, Pramkicker, which became something of a melting pot for all the thoughts I had about All That Stuff, and a lot of thoughts I’d heard voiced by other women I know. It felt like a mess of conflicting concerns in my head that I needed to untangle – time and love and the human body and prospects and career and fulfilment and cherishing life and the possibilities and difficulties of all that – and writing is the only way I know how to go about trying to untangle anything. Writing is the way I process life, it’s how I understand, and more often now how I participate. Writing is what I do while and after I think and before I act. If I act.

I don’t normally talk about things I’m writing because I’m not very eloquent at saying what it is. I get all flustered and say ridiculous things like “It’s about a kind of story but I don’t know what yet.” And then people just stare at me as though they think I should probably take up watching telly instead. Most of the time I completely agree with them.

But what has been lovely with Pramkicker is that I’ve been talking about it lots. With lots of people. Men and women. Because I’ve wanted to know what other people think and feel about it all. And lots of people have been starting conversations with me about it too, and as always I have been reminded how lovely it is to share things with people. I’ve received so many messages from people who have things to say about motherhood; confessions or open comment about having kids, or not having them. About quandaries, about regrets. About sad things the human body throws at us, about the ticking of the biological clock. About knowing and not knowing. About how different humans go about filling their lives with different kinds of love in that strange vainglorious beautiful doomed pursuit of finding permanent happiness in an impermanent life, that cruel instinct that humans have that bumps alongside the behemoth business of merest survival. And while thinking, talking, or even writing about ‘all this baby stuff’ hasn’t made me any clearer on the matter, it makes me realise that whatever happens, with kids or without, I won’t be alone. None of us ever are if we choose to talk to each other.
Let’s just not try to do it all together in the same café, eh.

image
image

The Cherry on Top of Time

One of the greatest joys of getting older is revisiting things you did when you were younger that are even better now with age. Like talking to your mates’ parents about life. Massive drag when you were young, but now you nod along like the Churchill dog. “I KNOW, VALERIE – I get really narked when the bin-men just leave my food waste bin lying on its side like they don’t even care too. I know. I know, Val. You don’t have to tell me; I KNOW. Now, do you want another slice of quiche?”

Or lying on grass – an ordinary act for kids pooped from running through the ambrosial fields of their youth, but for an adult it is a prostrate way of sticking it to the man. “Yeah, that’s right. There’s no grass in the office, so here I am, lying on grass outside the office. YOU WON’T SHACKLE MY SPIRIT, THE MAN.”

Or flicking a V sign at a rude kid in the street. Unremarkable when you’re the same age as them, but when older than them it’s dead exhilarating. Plus you are providing a service. You are keeping those precocious twits on their toes. “Mummy, why is that lady swearing at me?”, “Because you’re a dick, dear and it’s high time you knew it. Now stop eating your boogers or I’ll have you adopted.”

(Exceptions to the ‘things being better when you’re older’ rule are: gnawing raw Oxo cubes, and weeing by the side of the road when things gets desperate. Not the same. Never the same. Avoid.)

This week I added another thing to my list of things I did as a kid but now love more as an adult. Sending and receiving handwritten letters. When they come out of the blue they can really knock your socks off.

I’d been chatting to a friend on the ol’ Facebook. Nattering about books and writing and how sometimes they are the best things and sometimes they are the worst things. She’s an awesome comedian who’s already written two books so I had nothing to offer but the odd “go gettum, tiger” type sentiment. When we said goodbye I thought I had probably been the exact opposite of useful.

But a few days later I received a floral envelope in the post. I thought “those pizza dudes are getting very metrosexual”, and then I opened it and saw my friend’s name written at the top of the page above her address. She had included her middle name, which is the penpal version of tongues, and had written my name in big swirly letters with an exclamation mark. It was like getting banged in the heart by the 90s.

The letter contained lots of funny charming things, underlinings and capitals for dramatic effect, and ended with a thank you. And it made me so happy. I was routinely obsessed with writing letters to my friends while growing up. I had pen pals dotted around the country that I’d met on holidays, and as if that wasn’t enough correspondence to be tending to, my school friends and I were caught in an infinite loop of notes. We didn’t have texts or emails. We had paper and pens. And the best letters were the ones you had to wait for. The expanse of time was exquisite torture. We didn’t have the Internet or mobile networks, we had the Royal Mail.

This unexpected letter from my friend was the loveliest reminder of something I used to love, but it brought it right up to date. It was like the 90s with a cherry on top. And the cherry is the knowledge that I was lucky to have the 90s. In the 90s I just thought the 90s were dead normal. But they weren’t.

I wrote back in various pens on multi-coloured sheets and my friend wrote back again, including a page ripped out of a magazine with a picture of some sheep “really looking” that made me guffaw. Two women in their mid thirties, talking about things they love – big girl stuff, real life stuff, books and publishers and birthdays and age and shoes and drinking and love and dogs – but adding dinosaur and rainbow stickers to the envelopes which means we’re extra cool and the 90s can, actually, just bite us.

Ravaged by the Sun in a Suburban Sex Dungeon

I’m not very good at being hot. I know this because when I got my arm stuck in the slats of a venetian blind earlier while trying to push the window open wider I just stood there because I didn’t know what else to do. My brain was so sluggish and my arm was so happy to feel a breeze that I just let myself be stuck for a bit. From the outside it must have looked like someone had been drugged and kidnapped and was trying to make an escape out of the box room office of a suburban sex dungeon. But no one came to my aid because they were all suffering their own hell, inanely holding mini-fans to their faces and dreaming of that time they nearly drowned in an icy lake when they were five.

Heat does funny things to people. Like, I am staring out of the window right now, in between prodding these sweaty keys, melting like marshmallow at my touch, at a lady in the street who has tied her hair up in a turban fashioned from what looks like a t-shirt, and has tucked her long skirt into her knickers. It makes her look very exotic like an African queen, but like you wouldn’t want to be stuck in a lift with her because she’s hosting orphaned pigeon chicks in her pubic nest. Actually that would be awesome, what am I saying, I’m smacked off my tits on Vitamin D. Over there by the tree that shits purple wax on cars are boys kicking their heels with their tops off, smoking. That just isn’t safe. They are past the point of having any moisture left, they could go up in flames like a hay-bale. Elsewhere the panting of dogs is causing minor tsunamis five thousand miles away, people are stockpiling fruit cider torn from the shelves of ravaged off licences, and no one is talking. Tongues have swelled too big to get the words out, and besides – they all hate each other.

Earlier in the day I caught myself at various instances doing the following:

1) Shaving the dog and thinking about running the clippers over my head too. (I thought better of it. I haven’t the cranium for a GI Jane and people already think I’m enough of a lesbian as it is.)

2) Lying face down on a pile of newly-washed and still-wet towels on the kitchen floor because, well, why wouldn’t you. They’re cold and wet and you are in a survival situation. It’s a Bear Grylls basic.

3) Conducting heat tests around the flat to see which bit was cool enough to get around to replying to a text in. Not managing to work my thumbs, I left a friend hanging on an important question because I just didn’t care enough. So what if they needed me. Sort your own life out, you selfish shit. I’m dying.

4) Splaying my fingers into a V sign from my prostrate near-death position in the hall at a plane that flew overhead in case it were off to somewhere like Iceland or the North Pole. Bastards.

5) Leaning into a big freezer at the supermarket and consider dragging all the peas and nuggets out onto the floor so I could fit my whole body inside, shut the door and pretend I was in Narnia or a morgue fridge or some other frosty dreamscape.

6) Getting home and standing in front of my own freezer because no one was there to judge. Rubbing ice cubes over myself in a way that might be sexy on a Brazilian model but on me probably just looked like I was having a delusional ice-related Disney breakdown after hearing ‘Let It Go’ one too many times.

7) Finally caving and watching the clip of Kanye West being an unutterable twat at Glastonbury. (Something I would never have been compelled to do when of sound mind.) Thinking I saw an old friend coming on stage to be his backing dancer but assuming it was just a mirage like when Hunter S Thompson sees weird shit in the heat-wafts of Vegas off his cock on acid.

8) Forgetting what I had been intending to write my column about before the nation was attacked by forces from outer space (i.e. the sun). Deciding it would be a good idea to write about how rubbish I am when I’m hot instead. Et voila.
image

Old Camera

Found my old camera under the chest of drawers the other day. For ages I’d thought it was broken, but it whirred into life like a little trooper when I clicked it to ‘on’. Maybe it just needed a five year snooze. Maybe I got it fixed then forgot about it. Maybe my loyalties switched from the big clunky lens to the convenient and spontaneous joys of the iphone. But there it was, in working order. “Hullo old friend”, I squinted at it.

I got it about seven years ago when I had a fancy to ‘get into photography’. It’s a good one. Big and commanding. I wanted to do it properly – learn the science and technology and craft of it all, but like a lot of things I’d like to give my time to, I didn’t. I took thousands of snaps on it, never really mastering all the funny settings or light controls or the theory behind it all. Really, I just wanted to click and see beautiful interesting things captured forever. Some pictures turned out alright in the way a good camera can occasionally make it look like you’re the one with a good eye, rather than the monkey that presses a finger on all that intricate wonder flickering inside that little box. But most were mundane and averagely shot.

The reason a little bell in my head had chimed me to look for it was because I had to try and get ‘the right shot’ for my play poster. I sort of knew what I wanted, but because the posters are going to be blown up big for the Edinburgh streets I couldn’t rely on a phone to cut the mustard.

I spent a morning in the garden, snapping away, accumulating hundreds of shots that I knew wouldn’t be quite right, but before I could see any of them properly I had to order a little lead so that I could plug the camera into my mac. I waited a couple of days. The lead arrived. It was then another day or so until I used it, pausing rather selfishly to have my birthday. Then I plugged it in.

Hundreds and hundreds of pictures flooded the screen. What a dense universe a memory card is. A matchbox sized storage facility. Keeper of memories, portal to the past.

There was a little forgotten segment of my life, laid out like glossy coloured pages. Hundreds and hundreds of bad, sad, accidentally good, funny, blurry pictures.
Parties. Christmas. Dinners. Pubs. Houses. Loved ones laughing, looking younger. My nephew, now too big to pick up, hiding in the tiny confines of a gramophone record cupboard. My niece as a newborn, eyes not yet fully open. Someone who is not in my life anymore, his face something I barely remember as anything that once touched mine, making me shudder. That skin bristle of your old life rubbing itself against your new one. That gladness that it’s not your life anymore.

That trite old saying is right; a picture speaks a thousand words. It’s trite because it’s right.

Except a bad writer couldn’t speak the volumes of one good picture in a million words.
A passable writer could maybe do something in a few thousand words.
A good writer could strike you like a bell with a hundred.
A brilliant writer could grab your heart with fifty.
A genius with five.

But a picture is a picture. It needs no words.
Perhaps it is the break you need when your whole life revolves around writing. Maybe I’ll keep it within easy reach for the next five years. Maybe it will do a better job at capturing nice things in pixels than I ever could in words. Maybe I’ll try both.

Saying Goodbye Like Charlize Theron

I went to see Mad Max last week. I thought it was going to be about a load of stinky boys racing trucks in a desert and had prepared myself to have a little snooze. When it turned out to be a feminist action movie in steampunk hyperdrive driven by a woman who was aided nominally in a few scenes by some dude called Max who was rather less mad than in need of a wash, I sat bolt upright and strapped the eff in. What a corker. Charlize Theron absolutely stole it from Tom Hardy. Afterwards I wasn’t surprised to find that the director had consulted Eve Ensler, writer of the Vagina Monologues, to ensure he didn’t end up accidentally making a film that had gratuitous boobage or passive female squealing in every other scene. Nice one, Mr Director Dude.

At the end of the film, when they’re all knackered from fighting while driving (“It’s essentially a lot of fighting while driving” – Mark Kermode), after two hours of violence, smouldering glances, and a lot of sand, Tom Hardy bids Charlize Theron goodbye by disappearing into a crowd and nodding. She watches him disappear in the crowd and nods back. And I was like “Say what? Where my kiss? Where’s my closure?”, even though I’m a dead sharp feminist who knows a film can still be good without smooching in it. But it wasn’t the fact they didn’t get it on after two hours of heady murder and on-the-spot vehicle maintenance, it was the fact they didn’t say a proper goodbye. No hug or manly pat on the back, no “thanks for saving my life repeatedly”, no kiss, no promise of coming back. Just the silent kind. A nod, then nothing. It bothered me.

But I kind of get it. Because goodbyes are hard aren’t they?

I’m going to have to say three goodbyes this week and I’m sort of dreading it.
Three of my bookshop chums are all spreading their wings and going off into the world to have adventures. My lovely Sophie is going to teach in Japan for two years. My lovely Kate is going to Thailand for a few months and then on to live in Melbourne, and my lovely Matt is accompanying Kate on the Thailand stretch because he’s been wanting to do something bold and brilliant for ages and needed a ruddy kick up the bum. So three big goodbyes all at once, with no knowing if or when I’ll see Sophie or Kate again. Regular readers of my witterings will know I am a sentimental schmuck who isn’t equipped to deal with such things.

If I try and think of a goodbye that suits, I can’t.

How do you tell them you care without sounding like an idiot? How do you say be open to people and trusting, but not too foolish, and assume that everyone is good, but don’t be too disappointed if some turn out not to be? How do you say be open to love, but don’t look for it, and be careful with your feelings, but not so wary that you won’t embrace it when it comes? How do you say do things that scare you a bit, maybe even the occasional thing that is tantalisingly dangerous but do not risk your life? To say stand near the edge, top, end, deep of things but not get so close you can’t come back, because you are not Charlize Theron in a post apocalyptic road movie and you can get hurt?

I hate goodbyes.

I might stand there waving them up the street until my hand drops off, or I might pick something invisible off their shoulder like a mum and try to say something useful like “don’t trust the tapwater, or men with bags of drugs”, or I might cry or mumble something stupid or ruffle their hair. Or I might just nod and walk away.

images

Treehouse Built By Girls

When I found out I’d passed my 11+ I cried. All that slog had paid off. It may have taken endless revision, sitting in a hall with a bunch of kids once a year for 24 years, and latterly some serious backhanders to the local authorities, but finally, now, aged 34, I can count Key Stage 2 examination glory amongst my successes.

Not really. Passed first time, aged 10. I think my parents would have taken me back to the shop if I hadn’t so the pressure was on.

That pass marked the start of a change. Because it meant that I got into my local girls grammar school of choice, and that ultimately would find myself in the company of, well, just…girls. How would I fare without boys? I wondered.

Who was going to do all the orange squash belches after necking a Kia-Ora carton in one? Who was going to chomp Space Raiders into mulsh then flob it on whoever had the newest shoes? Would all that stuff have to stop now that I was a lady-in-training?

Well of course I fared very well. I loved my new friends, I worked harder and performed better than I ever would have if I’d had the distraction of boys once hormones kicked in, and it just became ‘normal’. Boys were creatures on the bus, they were weekend things. And there were discos with the boys school to hook me and my pals up with studs. We pretty much all took it in turns to snog the same set of boys for about three years. Value for money.

When I left my cosy girls grammar years later and went to university, I had a rude awakening. Here was I with my arms full of books, being met by men doing their flies up as they walked down the corridor. Their winkles were in there. Ugh. Here was I sitting in a lecture hall, smelling the manly composites of Lynx, yesterday’s t-shirt, and hour-old farts. Here was I suddenly conscious that someone with stubble was staring at my boobs while I squinted at lessons on the whiteboard. And then I would leave seminars to go back to my halls of residence where there were…more boys. Men. I did not live with men. It had mostly been my mum, my sister, and I since I was five. How odd it all was.
But I adapted. We all do, all the time.

Since then I have not really encountered any environments that divide the sexes like my days at school. Men are everywhere now, we’re all mixed up in the jumblesome stuff of life, and so I have similarly not had that sense of being part of a singularly girly world. Until last week.

I have been contributing to a new magazine set up by Sarah Millican, Mickey Noonan and a gang of other indomitable dudesses to challenge the material on offer in established women’s magazines that all exist largely to make us feel bad about ourselves. It’s called Standard Issue. It’s a fabulous mix of stuff by some brilliant ladies and I am very privileged to write for them. It’s been nine months – long enough to brew a baby – of hard work.

To celebrate, last week Standard Issue staged a massive gig for Comic Relief, and while watching the cream of the country’s female comedians take to the stage, I felt that feeling again. Despite there being men in the audience, it felt like the best kind of girls club. Not to the exclusion of boys – all are welcome in our treehouse – but something for, by, and of our own sex.

And it sort of felt like school, but it felt grown-up and important and inspiring, and it definitely felt like home.

Check us out if you fancy – http://www.standardissuemagazinesafe_image.phpsimag

Madam Bam Bam

I beat myself up quite a lot. There’s a little club in Soho, Madam Bam Bam’s. I go there once a month. You get to pick your birch from a rifle rack on the wall, go into a mirrored booth, and flog yourself for everything you’ve done to annoy yourself in the last 28-31 days. Then either Wendy, Janice, or Big Bob (if his leg isn’t giving him gyp) fling you a little hand-towel and a disgusted look as you leave. Sometimes, as a treat, I pay for the extra treatment – Loud Simon comes in wearing a cowboy shirt and shouts at me while I’m hitting myself. “YOU’RE NOTHING, YOU’LL ALWAYS BE NOTHING.” It’s expensive but it gets the job done.
Ok. Fine. So Madam Bam Bam’s doesn’t exist. I made it up. I do my beatings in my head like normal people. It’s free and has very few restrictions. But because it’s a constant ongoing process rather than just one big monthly splurge it can be quite draining. Being hard on yourself is hard. It takes work. Hard work.
I’ve administered (and thus taken) a good few beatings this week. Just your average common-or-garden flushes of vitriol in the dragging effort of Being Alive.
First was forgetting to feed the dog, getting halfway up the road then having to turn back, let myself in to his perfectly-practised ‘glare of judgement’, before I gave him extra biscuits and a jumbone. Beating number 1: swift, uncomplicated, low level on the pain threshold. It’s not like I’d left him in the garden overnight with a chicken bone after all.
Then I had to shoot a short film for something, and when I watched the first edit I felt so violent towards my face and voice that I asked the film-maker to cut out some bits of me. Then a few more bits of me. Then I wasn’t in it much and I felt much better. Then I beat myself up for giving him extra work. The beating was under the radar and sustained, like the jabs of a clever bully.
And this morning. My sister mentioned to me that she hadn’t been able to take Elliot, 8, to school because Viola, 5, was sick and there was no one who could run him there for her. I felt sick. Here was a healthy boy I love to distraction missing a day of school because his auntie is a useless turd who can’t drive. My sister didn’t think to ask me because I’m ‘always busy’ and don’t live quite close enough so am of no practical use at the last minute. I am a rubbish sister. This was a high-level beating, with numerous props and a side order of shouting that would put Loud Simon of Soho to shame and by god he is loud.
Tonight I will beat myself up in rehearsal. Standard. And I will probably hate myself for any number of the following too: stubbing my toe/dropping something/saying something stupid/forgetting something/doing something I shouldn’t/being distracted/eating something I shouldn’t/drinking something I shouldn’t/thinking something I shouldn’t/looking in the mirror accidentally while pulling a horrible face/generally being me in my own life.
I’ll be ruddy exhausted when my head hits the pillow, have a sleep divided by psyche-prodding dreams and patches of inert insomnia which make me want to lay myself out with a mallet, before ploughing into the next day.
Hey, guys, why can’t we all be a little more like Kanye West and just…love ourselves? He never wants to beat himself repeatedly in the face. It’s other people that want to do that for him, and that seems far less tiring. If you’re being beaten by others you can have a lie down during. Luxury.1419743372022